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If so, the process couldn’t be easier, and takes only about five minutes. This is especially handy if your recording/arranging DAW allows batch stem bouncing. One option is batch importing of stems, all nicely filed away into different tracks. Luckily, Mixbus provides multiple options to help you unlock its potential as a mastering-only tool. The Mixbus tone proves that just because your music is digital doesn’t mean it has to sound crispy!Īs I mentioned before, I don’t really use Mixbus for all my recording and editing adventures – there are far too many alternatives out there which specialize in recording and arranging, whereas Mixbus specializes in mixing and mastering. With just a few adjustments on the dial, you can add so much warmth to your sound you’d swear it didn’t come from a laptop. In addition to the pro-level EQ and compressors, one of the big ways Mixbus adds welcome color to your sound is the tape saturation knob. I firmly believe that the relative scarcity of knobs provides you with exactly the tools you need without allowing you to confuse or second-guess yourself. In fact, it seems more like Harrison has removed unnecessary function and gotten down to what is really needed to make your mix shine. While you’d think the simplicity of the interface would lead to some detrimental sacrifices in usability (for example, the EQ section has a total of six knobs, the compressor section has two), this is really not the case.
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No need for windows on windows on windows of virtual studio clutter! Each individual channel has a compact and highly efficient array of knobs – trim, EQ, a high-pass filter, bus routing options, and the almighty compressor/limiter/leveler are right there, ready for you to begin tweaking. The mixing window, which allows access to everything that’s truly wonderful about this software, lays everything out in front of you plain and simple. Recording your hardware instruments and vocals is an overall painless process, but you could just as easily record in Ardour, and it’s not why you’d want to buy Mixbus. VST effects are also a bit tricky to use since Mixbus is very strict about keeping mono VSTs on mono tracks and stereo VSTs on stereo tracks, but that’s okay since 1) Mixbus includes the basics like reverb and delay and 2) you might just be done with all your VSTs by the time you reach final mixing and mastering. But that’s okay for our purposes, since we used our soft synths to create stems in a separate piece of software.
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All the basic tools for recording are there, but interestingly there is no support for virtual instruments, which means your software synths will have to sit this one out. Yes, that means it works on Linux! Ardour is a pretty decent recording software on its own (especially considering that it costs $1), with a timeline and mixer, similar to Reason without the virtual rack. On a basic level, Mixbus is a Harrison rework of the open-source DAW Ardour. In the end, Mixbus’s compression, tape saturation, and EQ are at the sonic heart of where this software shines.įirst, let’s talk about how we get there. In order to achieve that sound, many producers will simply import stems into Mixbus and apply these subtle audio tweaks to color music that’s already been through the stages of arranging and sound design in a different piece of software.
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It may seem strange to use this sort of language to describe software rather than hardware, but it’s true that well-designed code and professional-grade DSP algorithms can go a long way in shaping the final sound you can achieve with a virtual Harrison console. The tweaks in dynamics and tone you would apply in Mixbus are not perfunctory audio edits, but rather are designed to impart a specific sound and very finely tuned color to the mix.
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For the same reason big-time movie producers choose to use Harrison mixing consoles for their audio, you would use this program – it’s not necessarily to perform a certain function, but to achieve a certain sound. The way I and many others use Mixbus, subtlety is the name of the game.
This program isn’t for high school kids who want to be the next Skrillex – it is, despite its cost, a pro-level software solution for those wishing to take their full-fledged musical ideas to the next level. A mere $219 will buy you a full-featured package which accomplishes a very specific goal: to make your mixes – whether crafted within Mixbus or without – amazing. By now, we’re so used to the vast ocean of all-in-one recording, editing, mixing, and mastering solutions costing $400 and up in an attempt to be a one-stop-shop – just vying to be the only piece of software you’ll ever need to purchase.
#Harrison mixbus reviews professional#
What is Harrison Mixbus? It’s a DAW, sure – but it’s also a professional mastering tool all wrapped up in an affordable and easy-to-use package.
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